Alias Eye > In-Between
Reviews
With their fourth album Alias Eye scores a bull's-eye, I think. The mixture of progressive AOR-rock...
With blasts of Eastern hand-percussion and wind instruments, "Arabesque" shimmers into view with...
Alias Eye is a band that I have rather enjoyed over the years. Their accessible excursions into the...
Alias Eye have been around for quite a while, and despite owning several of their output, I am not...
Alias Eye’s latest studio album, ‘In-Between’, is a return to the melody-driven arrangements of their debut, ‘Field of Names’, while retaining the heaviness of the band’s third effort, ‘In Focus’. 'In-Between' highlights Alias Eye's approach to songwriting: strong vocal hooklines are paired with lavish choir arrangements and meticulously arranged instrumental passages. From the oriental flair of the opening track, ‘Arabesque’, to the mellow, bitter-sweet lament of the ballad ‘Stars Shall Fall’ and the heavy guitar riffs of ‘Indentured Pride’, ‘In Between’ is a truly progressive journey through a variety of different styles and genres.
Alongside nine original songs, the album includes a new rendition of Beggars Opera’s classic hit ‘Time Machine’, featuring Martin Griffiths (Beggars Opera) and his son, Alias Eye’s singer Philip Griffiths, on the vocals.
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Album tracks
- 1 - Arabesque
- 2 - Break What We Know
- 3 - In-Between
- 4 - Time Machine
- 5 - Indentured Pride
- 6 - Stars Shall Fall
- 7 - All The Rage
- 8 - Distant Memories
- 9 - Take What's Mine
- 10 - The Blink of an Eye